The Torch: Last Exit – Hollywood
The fascinating thing about triviality is to see how marvellously well it works. I think it has a lot to do...
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The Torch: What Festivals (Won’t Necessarily) Do
It is my firm conviction that possibilities abound for Singapore's film industry to make itself known internationally in the years to...
The Torch: A Different Kind of National Day
Whenever I watch Royston Tan's “15" I am baffled and frustrated by the thought that this film has still not had...
The Torch: “Royston’s Shorts” – A critical discussion (part 2)
Read part 1. To resume, my review of Royston's Shorts … (more…)
The Torch: Royston’s Shorts – a critical discussion
In keeping with your classic auteur theory, with one or two minor twists to the formula, Royston Tan has over the...
The Torch: On real love
There are two pretentious words in this week's column heading, with no proven way of possible reconciliation known to man. Accordingly...
The Torch: In the crux: subtitling
Any film by nature is an entity in its own right, carefully created by people who have given their all (and...
The Torch: Can we sell it in pieces?
Film as it is today faces many challenges. As a medium it has been around for quite a while but just...
The Torch: Bridging the gap
Living in my beloved hometown of Berlin, Germany, right in the heart of Europe, I have quite a different perspective of...
The Torch: Introduction
Hi there! There's a little something on the way for you to check out and digest in between the menu's main...