SIFF Review: Dance of a Modern Marriage by Ellery Ngiam
In Ellery Ngiam's latest short, Dance of a Modern Marriage, we're introduced to Paul, a man desperately seeking the passion of...
OPINION
SIFF Review: After The Rain by Royston Tan
As a fore to the documentary Keronchong For Pak Bakar, SIFF screened one of Royston Tan's latest short films, After The...
The Torch: Idealism in film — or how to generate a visual message
All of us who are avid movie-goers and turn up at film festivals large or small (and maybe even travel for...
Cannes gets digital
Say your goodbyes to film and welcome into the era of digital cinema. World cinema congregates at Cannes this May and...
SIFF Review: ‘Keronchong For Pak Bakar’ by Abdul Nizam Hamid
Going by the surface of things (the SIFF programme catalogue and website for instance) there certainly were sexier films to include...
Stefan Says So: Dance of the Dragon Review
I had initially rolled my eyes knowing that the title for this dance movie had to have the word "Dragon" in...
The Torch: In the crux — Sounds and scores
...and then, what's music to my eyes? A single strong theme in a movie will hardly see you through the entire...
SINdie: 48 Hour Film Project
I saw people grab, throw, pull, soak and do all kinds of things to a poor Hongbao in the 14 final...
New iMacs!
Apple has recently rolled out its latest version of the hugely successful all-in-one consumer-range personal computer they are best known for...
SIFF Review: Boomtown Beijing by Tan Siok Siok
Not too long ago the line went something like this: If it wasn't for Singapore and its very own unstoppable rise,...
SIFF Review: Road to Mecca, by Harman Hussin
With biographies and autobiograhies crowding the bookshelves and movie screens these days, documented works are not rare. Road to Mecca is...
SIFF Review: ‘Hashi’ by Sherman Ong
The film Hashi by photographer/filmmaker Sherman Ong, which had its local premiere during SIFF, is the product of a residency programme...