The Torch: High trash
Film is a matter of taste. It is odd at times to witness how elaborately twisted and scrupulously refined we can...
Film is a matter of taste. It is odd at times to witness how elaborately twisted and scrupulously refined we can...
It has always been a bit of a mystery to me how amongst the plethora of factors that altogether determine the...
Spend other people's money and expect your fellow countrymen to pay for watching the result — that's what a filmmaker is...
As a fore to the documentary Keronchong For Pak Bakar, SIFF screened one of Royston Tan's latest short films, After The...
All of us who are avid movie-goers and turn up at film festivals large or small (and maybe even travel for...
Going by the surface of things (the SIFF programme catalogue and website for instance) there certainly were sexier films to include...
...and then, what's music to my eyes? A single strong theme in a movie will hardly see you through the entire...
Not too long ago the line went something like this: If it wasn't for Singapore and its very own unstoppable rise,...
The film Hashi by photographer/filmmaker Sherman Ong, which had its local premiere during SIFF, is the product of a residency programme...
It's not an option, in real life anyway: What splendour it might offer comes mostly in just so many shades of...
Amongst the 14 feature-length films and the four shorts screened at the first-ever Singapore Panorama section at Sinema Old School during...
First there is the pitched anticipation that comes in the wake of a titillatingly good concept. Then, you'll find yourself rather...